Karin Mobring

Textile artist
and designer

Birth/death: 1932–2005, Sweden
Education: University of Arts, Crafts and Design, and Carl Malmsten School, Stockholm, Sweden
Home base: Frösön, Sweden
Worked at IKEA: 1964–1993

Karin Mobring had a special talent for designing comfortable, quality furniture with a wide appeal. Raised on Frösön in northern Sweden, she was inspired by the rustic Swedish furniture collected by her parents.

19
64

Karin’s creative path began with ceramics studies at the University of Arts, Crafts and Design in Stockholm. However, her interest shifted, and under renowned furniture designer Carl Malmsten, she learned about craftsmanship, different materials, quality, comfort, and the importance of soft corners.

After graduating in 1951, Karin worked with her father, a construction engineer. He got her to design colours and styles for interiors and exteriors of apartment blocks, homes and offices. Karin also continued to design furniture, and in 1964 a wooden armchair by her was spotted by Ingvar Kamprad at the Stockholm Furniture Fair. He hired Karin to lead the IKEA design team in developing the brand’s own models and designs.

1959
Simple wooden high chair in 1950s style.

PEGGY high chair, made by Karin before she came to work for IKEA, was later sold by the brand over many years.

1964
Cutting from IKEA catalogue with a black and white portrait of Karin Mobring.

Ingvar Kamprad spotted a wooden armchair by Karin Mobring at the Stockholm Furniture Fair. In the next IKEA catalogue, 1966, she was proudly presented as a new and brilliant team member.

1966
Simple children's wooden furniture.

JANA children’s furniture had room for toys, reflecting the way IKEA was moving towards families with children.

1967
Two women in 1960s clothing carry a round table together, laughing.

KARUSELL, a coffee table made of particleboard, was a youthful success.

1969
Chair with leather seat and frame of chrome tubing.

AMIRAL chair had a steel tubing frame with seat, back and armrests wrapped with saddle leather. It was later remade in a flatpack version upholstered in canvas.

1970
Side table with chrome frame and surfaces in ash.

CROMI table was inspired by the early 20th century Bauhaus art movement. With its rounded chrome-plated frame and treated ash surfaces, it was a modern classic in the making.

1971
Cover of IKEA catalogue with low seating furniture and orange and white striped cushions.

KRUMELUR easy chair targeted the young generation with a curved, metal frame and propped with generous cushions. Here on the 1972 IKEA catalogue cover.

1976
Armchair with leather seating in a wooden frame.

NATURA armchair was made of leather and wood, illustrating Karin’s knowledge and respect for the classics and craftsmanship.

2005
Green summer meadow under blue sky.

Before she died in 2005, Karin created the Karin Mobring Fund, earmarking her legacy for women’s and children’s healthcare in Ethiopia. In Frösön, a small meadow was named in her memory.

2023
Stool with wooden seat and orange metal legs.

JERRY stool, originally launched in 1972, was reissued by IKEA as DOMSTEN, now with a fresh lick of paint to add to the fun. In 2024 her CROMI side table was also reissued under the name BAGGBODA.

19
66

Karin made her debut in the 1966 IKEA catalogue with pieces rooted in classic, rustic Scandinavian style. Her designs were based on simple, geometric constructions without sharp edges, always with usability in mind. Her many IKEA products demonstrate a command of both traditional and modern styles.

In the mid-1970s, Karin inherited her native farm on Frösön island in Jämtland, and from then on she used it as her creative base. During this decade, she designed many iconic pieces for IKEA, including the basic but beautiful SMÅLAND sofa, and the STABIL chair and table with an untreated finish to be scrubbed with soap like in the old days. Ingvar Kamprad loved the STABIL table and used it as his work desk for 35 years.

Woman in black sweater and slacks surrounded by pieces of furniture.
Karin Mobring with some of her iconic designs for IKEA.
Simple red wooden sofa with red and white striped cushions in cosy living room.
Karin’s SMÅLAND sofa, made of plywood and birch, was described in the 1971 IKEA catalogue as “traditional and notably Swedish”.
Trendy 1960s living room with white lounger and wooden furniture with yellow and red pillows.
In the 1969 IKEA catalogue, the KATINKA series was described as ”modern furniture with comfort requirements”. Simple, sleek wooden furniture with cushions in bright colours.
Dark-haired woman presenting comfortable chairs and a round table in a showroom.
Karin shows off the round, pop-art style tables and armchairs from the GALLERI and KATINKA series.
Red, rounded wooden armchairs with blue upholstery.
The GALLERI armchairs were described in the 1968 IKEA catalogue as “fabulously fun items for a top-notch, festive, comfortable and colourful environment”.
19
85

Together with her coworker Tomas Jelinek, Karin Mobring created the STOCKHOLM collection, paying homage to the best of Swedish and Central European furniture traditions. The idea was to fill a gap in the IKEA range with timeless furniture and objects made of good quality materials that most people could still afford. Karin’s attention to detail and constant endeavour to make products functional came in handy, and in 1985 the first launch in the series of modern classics was released.

Karin Mobring went on to design around 100 IKEA products before retiring in 1993. Karin was a gifted and humble person who made an indelible impression on the IKEA range and identity. Her knowledge of craftsmanship, understanding of materials, and talent for creating stylish and comfortable furniture with a wide appeal continue to inspire IKEA designers to this day.